Semester review A Raisin in the Sun Discussion Questions Flashcards by monique fang | Brainscape
Solange Garcia, Marketing Assistant. HUNTINGTON. THEATRE How does Asagai respond when Beneatha tells him about lost money? 2. above their market value to blacks who want to flee from ghetto. (Knowles and of their relationship. The relationship between Beneatha and Joseph Asagai. Get an answer for 'Beneatha and Asagai. What cultural differences cause tension in their relationship? How does he prove he really cares for her?' and find.
The Cabrini neighborhood then and now. We need help, too. We all want the best for our children, I tell you. Yes Lord, even the providers. Newly independent Nigeria welcomes Princess Alexandria to Lagos, The most populous of these are the Yoruba, who form one of the largest ethno linguistic groups in sub-Saharan Africa, concentrated above all in Yorubaland in western Nigeria.
Before the British came to Nigeria, these groups had organized into villages, emirates, kingdoms, and states; colonial rule generally erased or ignored these distinctions and characteristics. Along the way, colonial rule transformed the political, cultural, and economic landscape.
George in A Raisin in the Sun | jogglerwiki.info
It created a small class of English-speaking, European-educated Nigerians to hold lower-level positions in the government and in businesses— again supplanting traditional leadership, circumventing longstanding economic and power structures, or creating entirely new and unequal ones based on a foreign set of values and standards. And it set the stage for the exploitation and appropriation of vast oil reserves that continues to this day. Everybody else has to hyphenate.
Taking into account the cultural, political, economic, and social advantages of white folk, Critical White Studies acknowledges that while race identity is ultimately a social construction, there is a long history of preference, power, and prejudice that developed from assertions of white supremacy. In addition to its more literal application in the context of skin color or shades of lightness, Critical White Studies has also brought into focus questions of identity and privilege with regards to class, gender, sexuality, and even geography.
Most of its advocates promote it as a way to advance civil and social activism through academic study as well as through shifts in broader popular discourse. African American academics, activists, and artists. Among the primary pacesetters of what has since become Critical White Studies and the domain of white faculty, were W. Yes, the play ends on a note of hope—but it also leaves its audience with a profound sense of the impending, unsettling unknown.
Of particular note, The Raisin Cycle troubles our ability to make hasty assessments through its ever-proliferating considerations of property, privilege, and place. The challenges faced by the Youngers in A Raisin in the Sun are couched in the fact that the history of home ownership in America is bound to a history of discrimination. In addition to affecting where people lived and the conditions therein, long-standing inequities in housing practices disproportionally informed who could and who could not benefit from the privileges and potential profits gained through property ownership.
While home appreciation allowed some people to gain home equity, build businesses, or bequeath an inheritance unto their families, others found home ownership to be an impossible dream—or worse, a divesting nightmare. Endowed with a contemporary perspective, Clybourne Park updates the issues at hand by calling forth current contests over gentrification.
Rehearsals in Chicago were proving every bit as dramatic as the play itself. Lorraine Hansberry, the extraordinarily gifted first-time playwright, refused to attend. They bickered over whose character stood at the center of A Raisin in the Sun.
Was it Walter Lee Younger, who dreams of no longer being a chauffeur and starting his own business? Or was it his mother, Lena Mama Younger, the recently widowed matriarch, who sacrifices to make a better life for her family?
Semester review A Raisin in the Sun Discussion Questions Flashcards Preview
Either way, A Raisin in the Sun is the story of an earnest, and easily relatable, working-class family with a problem: She grants us the privilege of revisiting the past. She gifts us with opportunities to identify with the Youngers, share their dreams and hopes, feel the pain of their rejection, and celebrate their resolve to move to the Clybourne neighborhood and face whatever resistance lies in wait.
Guided by a mission of conceptual expansion, Kwei-Armah also traces notions of usurpation through a foray into the politics of our educational system. This complementary journey raises provocative questions about the threat of of new, original plays. On the Clybourne Park neighborhood itself? Its setting is the very house to which the Youngers are destined. In the play, author Bruce Norris offers a sense not only of why the home is for sale but also why its owners might not be overly concerned with who purchases it.
The second act occurs in the present, after the Youngers have moved into the new neighborhood and, subsequently, left or abandoned it.
In his telling, the house is still occupied by a Younger. He, like his father, drives other people for a living. A bus driver rather than a chauffeur, Travis seems less well-off than Walter Lee. Clearly, the stress of spending his childhood living in a hostile neighborhood has taken its toll on the now elderly man. Travis invests his hopes and dreams in his daughter, Beneatha, who presumably was named after her aunt. Beneatha eventually realizes that her dreams and the deferred aspirations of her father are incompatible.
They consider whether they should move back to their old neighborhood not only for the sake of their son and daughter but also to rebuild and reinvest in a community that has fallen into disrepair.
Will their Blackness rub off on her? After all, we can think of The Dramatic Canon as prime real estate: A Raisin in the Sun has long been an occupant in this sanctioned community of plays. Accordingly, its noble history and literary decorum continuously inspire the work of others. This, of course, is a signature of the canon: However, this phenomenon also prompts one to wonder: And, considering the many proliferations of property, privilege, and place housed in The Raisin Cycle, how can we ensure that we make room for all who seek space?
Kwei-Armah asks us to consider the meaning and relevance of Blackness within larger power systems and, globally, across three distinct historical periods: Together, these plays invite us to join a series of compelling conversations and to reflect on the current social and political moment. Through them, we find ourselves still wondering, What happens to a dream deferred? The Piano Lesson; Christ. As a potential suitor for Beneatha Younger, George makes it clear that he's all style and no substance.
George Murchison George Murchison might seem like a quite the catch at first: But then, he goes and says things like this about Beneatha loving to talk about her ideas: I know and I don't mind it sometimes…I want you to cut it out, see--The moody stuff, I mean. I don't like it. You're a nice-looking girl…all over.
That's all you need, honey, forget the atmosphere. Guys aren't going to go for the atmosphere--they're going to go for what they see. Be glad for that. Drop the Garbo routine. It doesn't go with you. As for myself, I want a nice-- Groping --simple Thoughtfully --sophisticated girl… not a poet--O.
He's looking for a woman to look good on his arm. While Beneatha fits his idea of what a woman should look like, George wants her to tone down all of that extra, you know, talking and thinking stuff. George's Ideas on Gender Roles Conversations like this one show the stark contrast between George and Beneatha's ideas about gender roles.
For George, it's more important that women are seen rather than heard.