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Of course, the predominating feelings are ones of satisfaction. Art Film Fest is slowly but surely becoming synonymous with a dependably attractive, internationally accepted cinematic programme. Still, keeping our finger on the pulse of today s film industry is by no means simple.

Assembling a crowd-pleasing mix of new releases, respected masterpieces and archival gems may sound straightforward, but in practice it is immensely complex. The proverbial cherry on the cake is the chance to feature a film from our own country in our international competition, one that can hold its own among its formidable peers. If we can fittingly open the festival with a Slovak film, a feature debut, no less, then all the better. Why not go to ordinary cinemas? These days, people may have their reasons.

But there are so many more reasons to visit Art Film Fest. I m delighted that you ve come to see for yourselves.

In a show no longer than twenty minutes, they screened a total of eleven films averaging one minute in length.

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When it came to the film titled The Arrival of a Train, some of the same viewers who had arrived with scepticism were convinced that the train would burst through the silver screen to crush them, and they fled in fright.

Still, most people were immediately mesmerized by the new medium. The spa guests were fascinated, and no one ran out of the theatre, either. An exciting incident interrupted an evening show at the local cinema.

One of the patrons, apparently upset by the film, suddenly fired several shots from his Flobert pistol at the silver screen. Later he claimed that he had only drunk three small beers. Cinema has survived all these incidents and won audiences favour for many a decade. Until the 21st century, that is. Today no one fires pistols, curses or even cries in cinemas anymore, and for one simple reason: Last year, the average attendance at Slovak cinemas was eight viewers per show: I have a fondness for small cinemas and I do believe they can attract spectators again.

Perhaps our festival s selection of films will convince audiences that visiting a small cinema can turn out to be a very pleasant experience. Art Film Fest is a festival that joins the unjoinable cultures separated by time and distance. It gathers people both dark and fair, tall and short, joyful and full of woe. People with hats and without, southerners and northerners, westerners and easterners, the young and the old alike.

Intellectuals, as well as those seeking unbridled fun. Art Film Fest is a bridge and a destination for all these people, joined by more and more every year.

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Art Film Fest draws everyone into a fantastic world of art and amusement. There s no better way to end the month of June! Have we succeeded yet again?

Come and see for yourselves. Welcome to the birthplace of this amazing festival, and make yourselves at home! Last year, our festival s coming of age, was also memorable for us because it marked the opening of our renovated Pax Spa House, the pride of our institution.

The new Pax has become the festival s official spa hotel, as it will accommodate most of Art Film Fest s guests and host meetings of artists as well as various other events. We are glad that one of our favourite spa houses has joined the Hammam Oriental Spa House and the Spa Hall as one of the festival s three main venues.

As in previous years, we have organized a number accompanying events that have become part and parcel of the spa experiences of our clients, who keep coming back to benefit from the healing power of our springs water. We hope that many film devotees opt for wellness as well and indulge in the relaxing treatments offered by our specialists.

Our thanks go out to all those who have put significant effort into increasing the festival s artistic quality and prestige, thus allowing our clients to nurture not only their bodies, but also their souls, fulfilling the need for quality cinema. We believe that the unique and inimitable festival atmosphere, enhanced by our typical spa environment will contribute to the overall success of the nineteenth Art Film Fest and leave pleasant cinematic memories in all our visitors minds.

We wish you many pleasant and memorable artistic experiences. The internet and new cinematic media are playing a significant role in all aspects of film production and distribution. Globalisation and digitalisation are the path to reaching viewers in their own homes. It is a pleasure for us to support direct audience contact by means of this film festival, a unique opportunity to offer discerning viewers films which cannot be seen mainstream cinemas, as well as giving filmmakers themselves the chance to receive immediate feedback on their productions.

The assortment is wide; the quality exceptional. In engineering, quality is measured by the number of defective products per million. This year s festival will screen dozens of films, and there isn t a single defect among them. Friends, we hope that this year s Art Film Fest inspires you with its wealth of valuable cinematic experiences, and we wish you a healthy dose of fun and relaxation as well.

On behalf of Aquapark Poprad, s. It is our honour to participate as a partner in organizing this unique cultural event, thus supporting culture, art, sport and talent. Our company promotes environmentally friendly thinking, healthy lifestyles, relaxation and luxury affordable by everybody.

All these values are embodied in a single drop of pure water. Every single drop counts, just as a single drop of brilliant cinema will leave long-lasting traces in you.

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Then let us all unite like droplets filmmakers, organizers and festival-goers and be taken away by the powerful stream of film, music, atmosphere, reality and fiction and led towards inspiration. Quench your thirst for new connections, new filmmakers and new cinematic experiences, and enjoy the nineteenth edition of Art Film Fest.

Debutoval filmom Kristove roky Inhe collaborated with Jim Jarmusch and DP Christopher Doyle on The Limits of Control, while in he designed The Runaways, a film directed by visual artist Floria Sigismondi, and worked on various theatre and contemporary circus projects.

In he finished a film in the making since the end of At thirteen, he was given a video camera and began shooting amateur films.

When he was twenty, he fought in the Lebanon War as a member of a tank crew. In he completed his studies of cinematography, and in he made fifty episodes of the TV Comics Series and his battle against the enemies of the human race.

He has also made several music videos and commercialsas well as several documentaries Total EclipseThe Devil from Moscow and The Insufferable Lightness of Being But it took him twenty years to come back home and create his feature debut, Lebanon Currently Senior Programmer for the Palm Springs International Film Festival, Alissa Simon has been a film curator for more than twenty-five years and does programme consulting work through her company Cinequanon.

She also writes about films and film festivals for the trade paper Variety. In he won a third Golden Arena for Witnesses. After working with many Yugoslav and Croatian directors, Zalar moved to Germany in the late s, where he continued to work on a number of television films, series and documentaries, as well as international feature film co- -productions.

From toshe was the vice-rector for international cooperation, research and public relations, and since she has been the vice dean for foreign affairs. Jukka-Pekka Laakso is the festival director since and president of the board of directors at the Tampere Film Festival. He has worked for the festival since the early s on the floor level, and has been involved with selection and programming since Laakso is also the executive director for the Pirkanmaa Film Centre sincea local film centre in Tampere.

The film centre is a non-profit organisation that runs an art-house cinema and works extensively with media education. He has also worked as a freelance film critic for radio and magazines.

From toLaakso was chairman of the National Council for Cinema. This position also afforded him a seat at the National Council for the Arts. Since moving to the UK from Italy inGaia Meucii has been working in the film industry in different capacities including animation production, film festivals and programming. I appreciate your commitment to work together to face this challenge.

Another current challenge we face is the migration and refugee crisis. The numbers are unprecedented and the situation is made even worse by ruthless and well-organisednetworks of smugglers. To regain control, we need a comprehensive plan and coordinated co-operation throughout the region. In the light of a positive recommendation of the Commission, I have now decided to call a meeting of the Heads of State or government of the EU with Turkey this coming Sunday 29 November.

The meeting will mark an important step in developing our relations and contribute to managing the migration crisis. To that effect, the European Commission seeks to increase its oversight over bilateral agreements that Member States strike with individual energy-exporting countries by revising the information exchange mechanism that exists between Member States and the Commission.

This policy brief takes a closer look at the reasons for suggesting the revision of this mechanism, how the existing information exchange mechanism came about, the challenges that may lie ahead with respect to the implementation of the proposal, and how these may affect the outcome of the Energy Union Open Europe https: This new policy area of security and defense however, differs from other policy areas in its main characteristics. First of all, it has a higher secrecy level and is therefore less open than other policy areas.

Second, CSDP requires a process of fast decision-making. Thirdly, the area remains mainly intergovernmental. Decisions are made based on unanimous decision-making and the influence of supranational institutions has been marginalized.

And finally, CSDP is a multi-level policy area: Because of the unique character of this field, new forms of democratic accountability should be addressed. European Policy Centre https: But, curiously, so far there has been little obvious activity in Brussels, with few signs that it has the attention of the EU leadership.