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This also means it has been incorporated into the Dramatica Story Expert application itself Overall Story; Main Character; Influence Character; Relationship Story .. I'm a man that appreciates discussing a frank discussion” ( Kosinski, ). Hal Ashby's "Being There" is a movie that inspires those feelings. The movie also has an audacious closing shot that moves the film's whole. The final scene of Being There () has sparked years of Chance walks on water at the end because he doesn't realize he can't. Walking on water immediately draws an unavoidable mental connection to Christ.
Being There - Wikipedia
He has spent his whole life tending the garden and has never left the property. Other than gardening, his knowledge is derived entirely from what he sees on television.
When his benefactor dies, Chance naively tells the lawyers that he has no claim against the estate and is ordered to move out.
Chance wanders aimlessly, discovering the outside world for the first time.
Passing by a TV shop, he sees himself captured by a camera in the shop window. Entranced, he steps backward off the sidewalk and is struck by a chauffeured car owned by Ben Rand, an elderly business mogul. In the car is Rand's much younger wife, Eve, who mishears "Chance, the gardener", in reply to the question who he is, as "Chauncey Gardiner". Eve brings Chance to their home to recover. He is wearing expensive tailored clothes from the s and '30s, which his benefactor had allowed him to take from the attic, and his manners are old-fashioned and courtly.
When Ben Rand meets him, he takes "Chauncey" for an upper-class, highly educated businessman who has fallen on hard times.
Being There (1979)
Rand admires him, finding him direct, wise and insightful. He emigrated to the US in and his first novel, The Painted Birdbecame a key addition to "Holocaust literature". Having fortuitously avoided the Manson murders in - he was due to be Sharon Tate's dinner guest, but missing luggage meant he cancelled his visit - Kosinski completed Being There in His literary celebrity was assured - he even took a sizeable role in Redsplaying a Bolshevik.
Depressed by the reception of his subsequent work as he tried to prove his credentials, Kosinski committed suicide in after taking an overdose and taping a plastic bag over his head.
What are the interpretations of Chance walking on water at the end of “Being There”
A modern equivalent of the "feral child" tales popular in central Europe in the 18th and 19th centuries, Being There focuses on the figure of Chance the gardener, raised in complete isolation, except for TV. Forced to leave the house where he lives and works by the death of his employer, Chance is taken in by an influential financier, Benjamin Rand, and his young wife, Eve, after a car accident. It has a philosophy. A man of extreme low intelligence who looks good, dresses in fine suits and speaks in platitudes is mistaken for someone of deep contemplation.
He answers questions literally and simply, almost always within the context of gardening, and people endlessly mis-hear him. Chance says he can't read, and a man jests about the busy nature of the American working man leaving no time for reading. They take his responses and apply them to the context of the conversation.
This is the way Being There makes the viewer think: How does Chance keep managing to say nothing, yet say everything? The film is a game between the characters and the viewer.
The dual nature of the narrative culminates in Chance being seriously considered for presidential candidacy, followed by the seemingly miraculous moment when he walks atop a pond. He goes from a gardener to a confidant of billionaires to a presidential advisor to a presidential candidate himself, all without realizing.
His entire worldview is established by television. As Chance walks atop the water, the eulogy for billionaire Ben Melvyn Douglas is given in the background. His mind operates in a very different way from regular people, and as a state of mind, his life therefore follows a different set of rules and procedures.
To him, walking on water is a possibility because his mind is not influenced by its impossibility. Everyone saw Chance as a genius, a poet, an intellect, yet he was none of those things. With this interpretation, the scene does come across as truly fantastic -- the only such instance of a supernatural moment in the picture. But its symbolism is to be examined more than the literal implications of the moment.