Preposterous Runaway Jury Is Guns and Poses | Observer
Role: Plaintiff lawyer for Celeste Wood, in charge of jury research for Relationships: Boss of Durr Cable, Employed by tobacco Big Four group. "Runaway Jury" is like a cat-and-mouse game in which a couple of nasty are strangers, but we learn quickly that the pair have some sort of relationship that Rohr is, in effect, the "good" lawyer, but he's not above leaving a. “Runaway Jury” is a briskly moving suspense-mystery that will probably win more Christian more topical it also complicates the our relationship to the protagonists and their motivation. The movie has some suspense and a twist at the end.
I was not even aware that Grisham was a professing Baptist Christian until, after reading The Testament, I researched his biography. Given the fact that he writes about his profession more than his professions, is it even relevant in a film or book review to mention that Grisham is a Christian? Is it meaningful to call him a Christian writer?
I think it is. Indeed, one of the more curious elements of the film is that it is even more sanctimonious than the novel upon which it is based. In the book, the lawsuit is against a tobacco company rather than a gun company, and while the change makes the plot a bit more topical it also complicates the our relationship to the protagonists and their motivation.
He does persuade the jury though only after he gets a message that the bribe money has been safely transferred and he does so rather disingenuously, couching what is essentially an emotional appeal in language that insists without evidence, that the law is on his side. Ultimately, however, the makers of the film bank on the fact that the audience will share enough of the frustration of the characters at seeing justice denied or perverted by the rich and powerful, that they will be happy to let Fitch be a scapegoat even if Easter has to sully his conscience to get him, and they may be right.
His idealism, however, is presented as misguided and impotent.
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This double-mindedness may not keep Christians from enjoying the film as an entertainment piece, but it may prevent the more serious thinkers among them from truly embracing it. None Neutral—Another great John Grisham movie.
Killer story line, although the ending was good not great. The elements for a gripping and controversial entertainment are present, but the script grows more ridiculous with the introduction of each new issue, eschewing depth and perspective for flashy style and confusing platitudes.
Finally, when Cusack and Weisz reveal their true motives in bringing down Hackman, the happy-ending corn is almost comical. But none of this matters, really, because of one disastrous mistake from which the movie never recovers.
The Cusack character has moved to New Orleans from another part of the country. In reality, there is no way a man like that could ever possibly receive a jury-duty notice in the mail. And even if all systems failed and the New Orleans justice system was run by criminals and morons, he would still have no control over which trial or which jury, if any, he would end up serving on.
It took four screenwriters to dream up this much fakery.
What they got paid was probably more than the annual salary of a Supreme Court judge. In the John Grisham novel from which this nonsense is derived, the Goliath on trial was the tobacco industry.
The verdict is in: `Runaway Jury' a gutsy legal drama - Chicago Tribune
Those were the days when Presidential candidate Bob Dole was sounding off about how he believed that rumors about cancer-risking nicotine addiction were exaggerated by left-wing Democrats. Big Tobacco has since had its day in court and lost big time. The movie had to move on to less dated, equally well-organized and financed but more hated 21st-century demons.
So guns it is, plus enough distractions and New Orleans scenery to stretch the labored plot into a two-hour movie-a chase scene here, a pointless interlude in a voodoo shop there, some vicious violence between Ms.
Weisz and the villains, and more shenanigans in the jury room than even the most gullible audience could ever deem possible. Just get on a jury where they guzzle bourbon under the table and blow cigarette smoke in the faces of allergy sufferers, and watch what happens.
Preposterous Runaway Jury Is Guns and Poses
I saw this movie the same week I received another frustrating, maddeningly intrusive summons for jury duty myself-for the week after Christmas, yet. Stripped of any feelings of patriotic duty and fearing for my life after seeing Runaway JuryI am seriously thinking about leaving the country. Tune in Radio Radio is one of those well-made, well-meaning true stories about courage and overcoming adversity that 1 makes me feel good about the human race, and then 2 makes me worry about whether anyone will ever see it.
But in this case the rope--that is, the jury--has a mind of its own, and outside forces are at work as well. The pivotal juror is John Cusack's Nick Easter, an easygoing guy who tries to beg off of jury duty by claiming he was all set to compete in the Madden Challenge video game tournament.
Of course, he winds up in the jury box. Then there's Marlee, the latest in Rachel Weisz 's effective string of seductive, willful characters "The Shape of Things," "Confidence".
The movie throws in a red herring early on to suggest that she and Nick are strangers, but we learn quickly that the pair have some sort of relationship that could throw a major trial into chaos. The movie takes place in New Orleans, and the case involves a widow suing gun manufacturers after her husband Dylan McDermott is killed in an office rampage that ends with the shooter taking his own life off screen. At first the gun suit feels like a stretch--as well as a way to score easy political points--but the movie ultimately makes its case.
The arguments feel plausible, at least in a TV legal drama sort of way, and, more important, the subject matter carries some dramatic juice.
The movie is timely in other, more potent ways.