What Song Best Fits Your Life? - ProProfs Quiz
Which song matches your Life? Which Family-Member will be by your side in December? Ask our Magic Mirror! What wish is a loved-one in Heaven sending. Melody: the part of a song that can be sung alone so that the song is recognizable; the "lead". . Knowing the tone of a particular line or section also allows you to better able match the mood . An intimate and vital relationship with your topic. For girls in relationships, or who just broke up, or for those with crushes.
Is there a creative chord progression? Is there an interesting rhyming scheme? Is there a creative melody? Making the Connection[ edit ] The lyric is arguably the most important part of a song. It is primary and fundamental that the audience understands what you are saying.
Listen to Zac Condon of Beirut, can't understand a thing he says half the time but boy does it sound nice. Does it use the language of the assembly? If aimed at Youth, does it "groove"? If aimed at kids, is it happy? Is it intended for small group or a large crowd? Can it be sung by your choice of line up? Are there long pauses that could be filled with a lead instrument? Could there be more pauses to let your rhythm take a "rest"?
Simplicity[ edit ] Simple images cut deep like a sharp knife. One of the most common mistakes made by beginning songwriters is trying to say too much. The simplest songs are usually the most powerful. Complex writing in "code" that sounds like some other good song somewhere doesn't cut it.
Many writers play it safe behind vague or complex lyrics. And many listeners enjoy decoding the meaning of them. Do what you want. If you try to say in three minutes or less how you feel about everything in your life, you will lose people. It is more powerful to show how you feel about ONE thing, right now. Once you've gained considerable experience in writing songs, you may decide to add some elements of symbolism, metaphor, or irony into your work.
A song with several layers grows progressively interesting; if there is more to the song than first meets the ear, it will stay fresh. Sparking the Creative Flow[ edit ] Quiet time: The key to expressive songs and lyrics is personal quiet times. Meditation is a very effective way to do this. There is no more creative expressiveness than your inner voice. Inner voice can both flow and be shaped: It usually comes when you quiet your mind. As you open to your inner voice, it becomes easier to hear, grasp and shape ideas.
Difficulties and Devastation Speaking from life-changing personal experience. This is important in folk-style songs, such as Blues and Country Music. Negative stories with a positive resolution can be very inspirational. Angry lyrics can be the release a listener is looking for. Brainstorming If you are a musician, sit at your instrument and just play.
If you are a lyricist, write or sing whatever comes to mind.
Even seemingly boring or strange lyrics must be written down, to open your mind to the more interesting and familiar lyrics. It is important to at least consider everything that comes to mind.
You can rewrite and reshape the lyrics later, as it becomes more and more clear, what you were trying to say or realized you could say instead. Was it just a feeling? Then follow your feeling—do not look for anything else. Put those feelings into words and music. Either you must look for situations to match the feeling or feelings to match the words, Be emotionally well-rounded: Do you just have a melody?
Sing something, anything, to it. Flip the notes around: Remember that the more familiar always sounds better, so you have to try any new melody you wrote several times before throwing it out.
Is it just a thought? Single thoughts are a powerful way to write. The feeling is often already implied. An interesting story, onatomatopiea, or extended reasoning or metaphor, could easily be written around a simple thought with enough hours spent. Every little thought counts, that you have about every phrase, word, and sound.
Don't be afraid to try anything that comes to mind. Use the satisfaction from improving your thoughts to continue to improve your thoughts.
Bob Dylan is quoted in his famous deal with a higher power interview, as saying that he would move onto other songs if a new song wasn't happening.
Quiz: Everyone Has A Song That Matches Their Personality - What's Yours? - jogglerwiki.info
In another interview about Dylan's song Tangled Up In Blue, he said he spent years on the song grafting various women into one character, so sometimes move on, but keep every idea for some use somewhere. Write down your ideas and lyrics, and always record a rough draft of your songs. Listen to the recording. Does it have a linear thread through the whole song?
Or is it like this wiki: Are there any phrases that don't quite make sense? Is there another phrase you could replace it with? Is there anything you cringe at? Do you talk about your muffin in a song about poker? Read your lyrics out loud. Is there a clunky bunch of words? Is there anything that means something very powerful, but doesn't sound that way out loud? What is that powerful meaning and can you just write that instead? Is the theme universal, or is it so personal that it could only mean something to you?
Remember theme is the universal meaning behind the details like love, bravery, good, evil, etc. There is always a theme, you just have to make it consistent.
What song describes your relationship?
Do you have a great chord progression? If you have access to a piano, voice the chords with left hand and just improvise a melody with the right. There are actually a limited number of simple good progressions, and they've all been written already, which explains why you wrote that really cool song, and then realized you took it from so and so, They "took" it too, because we ran out of "new" simple chord progressions centuries ago, and the more complex ones are really combinations of simple ones.
We don't waste your time in music, there are a lot of other professions that immediately pay a lot more than Even many supposedly rich musicians never made a dime, because of too much money spent on production, touring, and distribution.
If you want to get rich, then check out any profession with a lot of demand. Yes you can become a millionaire from music, but count the number of hit songs and then think of the total number of songs written ever, and then think of the number of hit songs that were profitable. Also, consider that even if you wrote a hit level song, how do you get the national audience needed to become a millionaire? Record labels don't even listen to submissions anymore. You have to tour relentlessly after you spent years begging friends to come to shows and not even listen your perfectly written songs.
And then consider that everyone has an ego, and that your song is not as good as it at first seems. Actually success depends on you opening your ego, unless you just happen to part of a social movement, and then nobody is really listening anyway. One exercise in ego would be to take the first two lines of your favorite song and break it down, then break down the language and poetry of your best song. And even opening up to better writing still doesn't guarantee success, There are countless songwriters that pop up years after there death as being great writing, but yet unacknowledged in their lifetime.
It's not completely impossible. Just close to impossible. We have little control over how others receive what we create. And if you try to change to fit what you think they want, you will never be happy with it, and they will never be happy with you.
But at the same time, if you are unwillingly to change your lyrics to make more sense, because of some intangible lofty feeling, then you might be fooling yourself, and your success depends on deaf ears. A Word Concerning Originality A composer fails to be original when he or she does not listen to his or her own musical voice. Composers frequently re-create melodic, harmonic, and rhythmic tapestries that lie deep in their sub-conscious.
Initially this is not a problem, since all music must take off from somewhere. We must be able to take it to a NEW place.
Sometimes a composer is successful with a song only to find it has already been written. Alternatively, it is common for a songwriter to use the same or similar well known melody. However, with variations on melody one is more melodramatic, while Tsubasa is more upbeatand different lyrics, they become two distinct songs. Still, one should be very careful about using another person's melody, especially in countries in the developed world, which usually have the toughest copyright laws.
The most commonly reused part of music is chord structure. There are only so many chords and over the centuries people have found many of the chord changes that are most naturally pleasing. You can play about a million songs that all have the chord progression in the key of C: So long as you have your own musical ideas building off of those chords, your song will still be unique same as the million others.
This allows an excellent opportunity to really make your song stand out by using other chords creatively. All of those are more advanced music theory, but its something to work towards when you get tired of hearing the same progressions you always do.
You can also play in different keys with the same progression: These are different chords, but it will have the same "feel" to it as it is the same pattern of tension building and release. It will change the pitch and note range, however make sure its a key you can actually play or sing inwhich can lend a brighter or darker mood and changing keys mid-song can be very effective, if done tastefully, in addition to giving your song a more unique identity.
Conclusion[ edit ] Once you have a song that you think is ready for the group, run it past a few objective and mature friends for an honest critique. Don't be afraid to refine it, taking into consideration their input. Focus on the process, not the outcome. It's good to have a goal. It's more important to spend your days doing what pleases you. If you are really strong, you can find your identity in the songs you write, just like any poem.
Meter is something not always fully understood, by learning writers, briefly meter in songs is the measurement of each note, Study the best writers and see where they relieve any chance of metric boredomby inserting contrasting sections in each stanza. With religious overtones, this hit is about a man who has made mistakes and is going though a difficult time in his relationship. He has sought forgiveness and is determined not to push boundaries while renewal and healing take place over time.
Someone used to sing this song to me. It's about a man who loves a woman, but she listens to other people's opinions.
The protagonist thinks about the future they could've had, and he blames his sweetheart for not being strong enough to stand up to the naysayers. He feels that his utter devotion has left him playing the role of the fool: When you need the hand of another man One you really can surrender with — I will wait for you Like I always do That can't compare with any other.
Wanting someone to love him back, he recalls the sage words of his mother just when he's about to give up his search. His mother advised that you can't hurry love, that you must wait for it. And that wait is ever so worth the struggle. The narrator has been separated from his lover for far too long and pines to rejoin her.
The song was used as the theme in the movie Ghost. However, it was originally written for another movie decades earlier. The earlier movie was about a man who was being released from prison and looking to reunite with his love interest. The older man looks back on his life and recounts all of the times that he has waited on the woman he loves, from their first date when she was half an hour late, to their wedding that took a year to plan, and nearly every day thereafter.
He imagines that he'll end up waiting for her in death as well.
QUIZ: Which Shawn Mendes Song Best Describes Your Love Life? - PopBuzz
However, he doesn't mind because that's what lovers do: He is left waiting it out, nearly going crazy for her to return. Reader Poll In your experience, which is more true? Out of sight, out of mind. Absence makes the heart grow fonder. With his sleeping bag, a cardboard sign and a photo of her in hand, he waits, hoping she will return to the spot where their love affair began.
He's the man who can't be moved. If you fall, I will catch you; I'll be waiting I'll always be waiting Time after time The husband is trying desperately to return to his ailing wife, but he is detained by a Montana snowstorm. As she promises to wait for him, the wife fondly recalls other moments that she waited for his return: This guy has some sense of timing! Sadly, our hero doesn't arrive in time, and his waiting wife dies.
Let's hope she wasn't alone. She leaves behind a note promising to wait for him on the other side. The narrator leaves his sweetheart back in his native Tennessee as he bounces from Boston to Denver to Los Angeles in search of career success. While he finds success, his one true love waits for him back home. He pleads for her to join him, but she insists that she won't leave; instead, if he loved her, he'd return to her.
Now she is waiting for when he is ready to love her again.
She promises to treat him differently and better this time.